![]() The single is a textbook example of a fading star chasing another hit by aping the hot sounds of the time. His whole “OMG” experience must’ve been so humiliating. If I’d recorded “OMG,” I’d be looking to blame someone else, too.Īs far as I know, T-Pain did not hold a gun to Usher’s head and force him to record “OMG.” I would instead venture a guess that Usher was speaking from a place of bruised ego on that plane. In 2013, Usher was three years removed from “OMG,” his last #1 hit. ![]() Instead, Usher had to keep himself relevant by making garbage-ass dance-pop. It’s that Usher suddenly found himself in a world where the music that made him a megastar, the smooth rap-flavored R&B of his blockbuster Confessions, was no longer commercially dominant. It’s not that T-Pain’s brazen use of Auto-Tune really bothered Usher. Usher is the clear asshole in this story, but when I look at it from his perspective, I understand. T-Pain told the tale on the Netflix show This Is Pop in 2021, and I got into it in the column on T-Pain’s “ Buy U A Drank (Shawty Snappin’).” To briefly summarize: In 2013, Usher and T-Pain were both on a flight to Los Angeles for the BET Awards, and Usher cornered T-Pain to tell him that he had “really fucked up music for real singers.” T-Pain was flabbergasted, and the conversation sent him into a depressive tailspin. You probably already know the story about Usher and T-Pain. Book Bonus Beat: The Number Ones: Twenty Chart-Topping Hits That Reveal the History of Pop Music. In The Number Ones, I’m reviewing every single #1 single in the history of the Billboard Hot 100, starting with the chart’s beginning, in 1958, and working my way up into the present.
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